Santa Monica, CA (December 30, 2014)The Producers & Engineers Wing of The Recording Academy, in conjunction with The Recording Academy Nashville Chapter, hosted "Lost In Transaction," a panel discussion on the increasingly complex and intricate landscape that the music industry, in early December.
by Steve Harvey The sound team at NBCUniversal StudioPost recently completed work on Unbroken, based on author Laura Hillenbrand's 2010 best-selling biography of long-distance runner Louis Zamperini and his experiences during World War II. It opens nationwide on Christmas Day. Here, they share their experiences on working with director Angelina Jolie, keeping the sound authentic to the period, mixing in Dolby Atmos and much more.
"We have a saying: Loud is beautiful only if it's clean. That's the ideawe need to achieve a strong low end so we can get a really clean show. It makes the show more enjoyable for the audience, and makes it seem like they are closer to the artist. If you go to a concert that sounds bad, it always makes the artist seem like he's in the distance. If it sounds good, the artist seems like he's right in front of you. It all depends on the efficiency of the system that you use."Horace Ward, FOH Engineer, Usher.