วันพุธที่ 18 ตุลาคม พ.ศ. 2560

Media Buyer + Planner: Nielsen’s Netflix Numbers; Accenture Strikes Again

 
 
 

Media Buyer & Planner Today

 

October 18, 2017

 
 

Media Buyer & Planner Today
 
Twitter   Facebook  
 
 

Top Stories
 
 
 
#1 Nielsen to Measure Netflix Shows
The audience measurement company is rolling out a new service that will provide clients with viewership data of shows streamed by subscription video-on-demand services. The service will initially measure Netflix shows only, but add programming for Hulu and Amazon Prime in 2018. Among the first clients to sign up for the service are A+E Networks, Disney/ABC, NBCUniversal, Lionsgate and Warner Bros. The service will provide data comparable to what Nielsen provides for linear TV, including ratings, reach, frequency and demographics. In announcing the new service, Nielsen also offered some ratings data for Netflix shows. Nielsen says the premiere of The Defenders the week of Aug. 18 averaged 6.1 million viewers. The first episode of Fuller House averaged 4.6 million viewers for the week of Sept. 22, while the season five premiere of House of Cards averaged 4.6 million viewers May 30 to June 6. The new data does not include mobile viewing as yet.
WHY THIS MATTERS: As the Wall Street Journal reports, while Netflix doesn't carry ads, the data could provide ad buyers more insight into broader viewer habits. And it will give the networks and studios and media buyers an idea of what kind of viewership their shows being streamed on Netflix are getting. Meanwhile, Netflix, which has been secretive about its viewership numbers and has refused to make them public, programming viewership, is disputing the data the Nielsen released. MediaPost said a spokesperson for Netflix said, "The data that Nielsen is reporting is not accurate, not even close, and does not reflect the viewing of these shows on Netflix."
Three Takes: B&C | MediaPost | WSJ
 
#2 Accenture Acquires 17th Agency
The global consultancy's digital operation has added its 17th agency since 2013, this time acquiring Paris-based digital commerce agency Altima. The agency has 370 employees with offices in France, Canada, China and the U.S. and, according to Ad Age, creates and adapts experiences for e-commerce, mobile and in-store commerce. Among its clients, reports Adweek, are L'Oreal Luxe, Sephora, telecom company Orange Business Services, Guerlain and Monte Carlo Hotels. COMvergence estimates Altima's 2016 revenues to be in the $31 million range.
WHY THIS MATTERS: Consultancies like Accenture continue to acquire agencies as they attempt to aggressively move into the space occupied by traditional agencies. Accenture Interactive is currently the world's largest holder of digital agencies, with a 2016 revenue of $4.4 billion, up 51% from the previous year, according to Ad Age. Accenture also recently hired Nikki Menonca, who was president of Europe, Middle East and Africa for Omnicom media agency OMD.
Two Takes: Adweek | Ad Age
 
#3 Telemundo's Ratings Draw Buyer Attention
Since replacing its traditional novellas at 10 p.m. with a new "Super Series" concept four years ago, Telemundo has overtaken rival Univison during Monday to Friday primetime in live-plus-three-day and live-plus-seven day 18-34 and 18-49 ratings. And that's quite an accomplishment since just five years ago, in the 2011-2012 Hispanic broadcast TV season, Univision was averaging 2.1 million viewers in 18-49 in weeknight primetime, compared to Telemundo's 734,000, according to Nielsen data. While it's original Super Series, El Senor de los Cielos is now in its fifth cycle and is currently averaging 1.9 million viewers per night and 1.1 million in the 18-49 demo, another 10 p.m. Super Series, El Senor spinoff El Chema averaged 2 million total viewers and 1.1 million in the 18-49 demo, outperforming the Unvision 10 p.m. show by 21% in the demo.
WHY THIS MATTERS: Although the ratings numbers remain close among the competitors, when you overtake the competition for the first time ever, it is big news for the insurgent network. "It's a very exciting time to be Telemundo right now," Stephen Paez, senior VP and director of multicultural at media agency Spark Foundry, tells Broadcasting & Cable. "Their success has put them top of mind among ad buyers." And Dana Bonkowski, VP multicultural at Starcom adds, "If there is a brand that wasn't advertising with Telemundo before, they should be now."
A Take: B&C

 
 
 
 
 
#4 Gerber Targets Millennial Parents with Brand Overhaul (Ad Age)

#5 Pinterest Introduces Autotargeting Tool (MediaPost)

#6 Triad Turns Retailers into Ad Sellers (Digiday)

#7 UK Media Agencies Face Leadership Crisis (Digiday)

#8 J.M Smucker Launches Agency Review (Adweek)

#9 CMOs Need to Become Cybersecurity Experts (Ad Age)

#10 Discovery's 'Gold Rush' Promos Get 221.9 TV Ad Impressions (B&C)

 
 

Stat Of The Day
 
 

24.4
Number in millions of Snapchat users ages 18-24, according to eMarketer data. That compares to 23.5 million users in that age group for Facebook and 22.1 million for Instagram.
– Reported by eMarketer

 
 

Ratings
 
 

NBC Wins With Strong 'This Is Us'
by Michael Malone

NBC seized top honors in Tuesday ratings on a robust This Is Us, the network posting a 2.0 in viewers 18-49 across prime, per the Nielsen overnights, and a 7 share. That topped CBS' 1.2/4.

On NBC, The Voice was off 9% at 2.1 and This Is Us did a flat 2.8. Law & Order True Crime: The Menendez Murders rated a flat 1.1.

On CBS, NCIS slipped 7% to 1.3 and Bull posted a flat 1.2, before NCIS: New Orleans rated a level 1.1.

ABC was at 1.0/4. The Middle fell 7% to 1.3 and Fresh Off the Boat did a flat 1.1, then Black-ish was off 8% to 1.2 and The Mayor dropped 20% to 0.8. Kevin (Probably) Saves the World scored a flat 0.8.

Fox did a 0.8/3, with Lethal Weapon at a level 0.9, The Mick up 14% to 0.8 and Brooklyn Nine-Nine down 14% to 0.6.

The CW averaged a 0.7/3, with The Flash at 0.9 and DC's Legends of Tomorrow at 0.5. Both were down a tenth of a point from last week's season premieres.

Among Spanish-language broadcasters, Telemundo did a 0.6/2 and Univision scored a 0.5/2. 


 
 

Fates & Fortunes
 
 

• EDUARDO MARQUES was named chief creative officer at 180LA, succeeding William Gelner who is leaving the agency. Global president Al Moseley will also assume some global chief creative responsibilities. Marques has been with 180LA for just under three years, and previously held creative posts at Pereira & O'Dell and Ogilvy Brazil. Gelner joined the agency 10 years ago as executive creative director. Prior to that he was a group creative director at Bartle Bogle Hegarty New York and also held creative roles at Cliff Freeman and at Fallon. 

• KEVIN PORTER was named media communications director at independent reative agency Walrus. Porter was most recently media director at Wieden+Kennedy, where he worked for the past 10 years.

 
 

Events
 
 

Hispanic Television Summit
October 19 | Sheraton Times Square, NYC
Learn More

TV Data Summit
October 19 | Sheraton Times Square, NYC
Learn More

more events »

 
 

Jobs
 
 

Morning Executive Producer
Hearst Television – Des Moines, IA, United States
 
Local Sales Manager
Hearst Television – Rogers, AR, United States
 
Director, Local Media
Major League Soccer – New York City, NY, United States
 
Maintenance Technician
WTTG Fox 5/Fox 5 Plus – Washington, DC, United States
 
more jobs »

 
 
 
 

 
Advertise
Contact Us
Send this to a friend
 
 

 

 
 
©2017 NewBay Media, LLC
 


Manage Your Email Preferences/Unsubscribe
Change Your Email Address

To report abuse.

You have received this message because you previously gave your email address to NewBay Media LLC.
© 2017 NewBay Media LLC, 28 East 28th Street, 12th Floor, New York, NY 10016 | 212.378.0400

How to Turn $1,000 and 3 Hours a Week into Serious DeFi Yields (Without Gambling)

DeFi is an ocean of opportunities, but also a minefield of risks. If you're entering this space with only $1,000 and limited time, the w...