วันพฤหัสบดีที่ 4 สิงหาคม พ.ศ. 2559

Prince's Wild and Wonderful Guitars, Tom Morello Says "Gear Doesn't Matter," Angus Young Says He May Have Gone Too Far, and Much More

 
 

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Top Story - August 3, 2016
 
 

THE BEAUTIFUL ONES
Like his music and short—but incredible—life, Prince's guitars were wild, weird, and wonderful.
"I always wanted to be thought of as a guitarist," Prince told me in 1994. "But you have a hit, and you know what happens next."

In the weeks and months since the passing of Prince Rogers Nelson on April 21st of this year, countless commentators have analyzed his rich musical legacy from various perspectives. Journalists have riffed on Prince's in-your-face sexuality, his fluid sense of gender identity, his race, his bold fusion of multiple musical genres, and his larger-than-life role in the pop culture zeitgeist of the Eighties and beyond. All these approaches have been useful in shedding light on a complex and prodigious talent.

But a topic that might have been far closer to the late artist's heart is the guitar and his role in American vernacular music's vast tradition of guitar-wielding frontmen. Yes, the guitar was just one of 27 or so instruments that Prince played. But it was an instrument that occupied a central place in his music—a vital thread that runs through all the myriad stylistic shifts that defined a career spanning some 40 years...
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