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Film composer Hans Zimmer talks about scoring “Interstellar”

 
 

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March 05, 2015

 
 
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Hans Zimmer on Scoring Interstellar
"I love how polarizing this whole project has been. People either hate what we did or they love it. There's nothing in the middle, which is great." So says renowned film composer Hans Zimmer about the score to Interstellar, Christopher Nolan's blockbuster sci-fi epic about a farmer and former astronaut who journeys out of our galaxy to find habitable planets beyond the ecologically devastated earth. Zimmer's music avoided both the traditional big-orchestra Hollywood sound and more contemporary electronic tropes in favor of a haunting, and largely acoustic keyboard-driven score―including a huge amount of pipe organ recorded in London's Temple Church. The score also caused some controversy, as some film-goers felt it was mixed too loudly relative to the dialogue. There can be no question of its beauty and individuality, though. We were privileged to talk at length with Mr. Zimmer about how he approached the film, and to Roger Sayer, who played all of the organ you hear in what is certainly the decade's first great space opera.
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