YouTube's Second-Screen Super Bowl, NPR's Future-Ready Facility, FCC's Expanded Broadband Definition, Eli Roth's Hitchcockian "Knock Knock"

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January 30, 2015
Connect 2 Media & Entertainment, which launched in 2013, is a resource to help you as a media professional keep up with developments not only in your own business segment but across all industry sectors. Find out what's happening in TV, radio, digital media, film, event spaces, enterprise, and much more by visiting www.c2meworld.com each day. PRODUCTION/POST/SOUND TV and Film Production Costs Don't Make Sense in the Digital Era I think the biggest issue for legacy media—both TV and film—is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest. Read More» DIGITAL MEDIA YouTube To Create "Talkable" Second-Screen Moments With Super Bowl Live-Stream Halftime Show YouTube plans to make the Super Bowl halftime show the ultimate in entertainment and advertising by leveraging stars, personalities and more than 115 Super Bowl ads and teasers that brands have been posting to Google's video so far this year. Read More» DIGITAL MEDIA FCC More Than Quintuples the Legal Definition of "Broadband" It used to be that a paltry 4 Mbps down and 1 Mbps was all it took for an internet connection to be considered "broadband," but the Federal Communications Commission has just flipped that definition on its ear. Read More» RADIO NPR: Building for the Future For over 40 years, NPR has pushed the envelope both in technology and content production. Its new facility, with its flexible design, will allow them to continue this tradition for many years to come. Read More» PRODUCTION/POST/SOUND Brett Morgen Creates an Intimate Portrait of Kurt Cobain in "Montage of Heck" Inspired by Cobain's mix tapes, the structure of the documentary "Montage of Heck"—that features a combinations of animated pieces, interviews, archival footage, and much more—is meant to reflect its subject matter. "The whole film was intended to be the filmic equivalent of Kurt's aesthetic," Morgen says. "The film can be ear-piercingly loud and then very soft and gentle, and it's a metaphor for Nirvana's music." Read More» FILM Director Eli Roth Takes a Hitchcockian Turn With "Knock Knock" "It's a different type of movie for me," explains the horror director, "but one that will satisfy my fans in a way they wouldn't expect." Read More» More Articles & Insights PRODUCTION/POST/SOUND: "Antarctica: A Year on Ice": Recording the Remarkable Environment (and Real Life) at the South Pole » PROGRAMMING: Reality Producers Ponder a Quiet Future » TELEVISION: TV News Is Like Social Media News: Here Today, Gone Tomorrow » TELEVISION: The Splintering TV Consumption Landscape, in Five Charts » DIGITAL MEDIA: Web's Next Chapter "To Be Written On Gigabit Speeds" » DIGITAL MEDIA: Netflix's Secret Special Algorithm Is a Human » TELEVISION: "Fortitude" Creator Simon Donald Discusses His Chilling Pivot Mystery »
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