Connect 2 Media & Entertainment, which launched in 2013, is a resource to help you as a media professional keep up with developments not only in your own business segment but across all industry sectors. Find out what's happening in TV, radio, digital media, film, event spaces, enterprise, and much more by visiting www.c2meworld.com each day.
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 | | PRODUCTION/POST/SOUND | | Fast-Paced and 4K: Inside the Production of "The Blacklist" | | NBC's "The Blacklist" follows the fast-paced tale of a charismatic fugitive and a government agent who team together to take down some of the world's most notorious criminals. The show is shot on Sony F55 cameras with a 4K workflow on location in New York. | | Read More» | | |
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 | | RADIO | | The Pitchforks Are Out | | Music news and festival organizer Pitchfork has announced something that should get the attention of radio broadcast personnel — a "pop-up" radio station. | | Read More» | | |
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 | | TELEVISION | | The More Things Change… | | From spectrum auctions to ultra-high definition displays to the ongoing saga of ATSC 3.0, the past year and the new one ahead are loaded with never-ending processes. | | Read More» | | |
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 | | RADIO | | "Invisibilia" and the Evolving Art of Radio | | "Invisibilia" combines sophisticated storytelling with cultural and scientific reporting, yielding astonishing stories that can feel almost too good to be true. Audio journalism is a satisfying form for such tales: intimate voices, sound artistry, provocative questions phrased casually. | | Read More» | | |
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 | | TELEVISION | | The Broad Strokes | | Everything about the new season of "Broad City" "is bigger," explains Rachel Syme. "It has more swagger, more jokes, more risks. Its creators are allowing their world to freely expand, filling the space of the raised expectations for the new season like a noble gas." | | Read More» | | |
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 | | TELEVISION | | ESPN Deploys Drone to Cover Winter X-Games | | Extreme sports fans are getting a new perspective on their favorite Winter X-Games events with ESPN's announcement that the sports network will use a drone to capture all the action at a selected venue. | | Read More» | | |
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 | | PRODUCTION/POST/SOUND | | Edit This!: "American Sniper" | | Gary D. Roach, who, with Joel Cox, co-edited director Clint Eastwood's "American Sniper," explains of their process, "We don't travel with Clint, which is weird for this industry. They ship the dailies to us and we get it cut. Maybe once a week we'll send Clint a DVD or QuickTime to see where we are at, and how things are going. He usually doesn't make any changes to what we are doing until after he's done shooting and we sit down with him." | | Read More» | | |
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| More Articles & Insights |
| FILM: Interview: Crystal Moselle, Director, "The Wolfpack" » |
| DIGITAL MEDIA: Jason Kilar's Vessel Boots Up Its Beta » |
| RADIO: VRT Remembers The Great War » |
| DIGITAL MEDIA: A Look at the PBS Digital Studios Success Story » |
| FILM: "Mommy" Director Xavier Dolan Doesn't Want You to Label His Films » |
