Connect 2 Media & Entertainment, which launched in 2013, is a resource to help you as a media professional keep up with developments not only in your own business segment but across all industry sectors. Find out what's happening in TV, radio, digital media, film, event spaces, enterprise, and much more by visiting www.c2meworld.com each day.
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 | | PRODUCTION/POST/SOUND | | How J.C. Chandor Captured NYC's Most Dangerous Era for "A Most Violent Year" | | To research the period and get the right look and feel of a city at the height of urban decay and rampant crime, Chandor turned to the street photography that was flourishing at the time: "I talked to a lot of people whose parents ran businesses at that time. I zeroed in on the actual business that we were dealing with, and then read a lot. But my main inspiration, visually and everything else, really came from the amazing tradition of street photography that was exploding around this time in New York and other cities." | | Read More» | | |
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 | | RADIO | | Check Out These New Audio Apps | | Audio apps are a hot trend that radio broadcasters need to know about, not just because they stream radio content. Thanks to their interactivity and wide availability, audio apps are becoming a popular platform for experimenting with new content delivery ideas and models. | | Read More» | | |
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 | | PRODUCTION/POST/SOUND | | Mixing the Sound of the Ten Plagues of Egypt: Paul Massey on "Exodus" | | A retelling of Moses' defiant uprising against the Egyptian pharaoh Rhamses, and the setting of 600,000 slaves onto a journey of escape to the Holy Land, "Exodus: Gods and Kings" from director Ridley Scott features the innovative skills of lead mixer Paul Massey, working with a sound crew at Twickenham TW1 Studios postproduction complex in London. | | Read More» | | |
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 | | PRODUCTION/POST/SOUND | | Paul Thomas Anderson Reflects on "Inherent Vice," Filmmaking Influences | | Anderson's latest, "Inherent Vice," is an absurdist romp about a stoned, hippie detective (Joaquin Phoenix) mumbling his way through the darkening haze of post-'60s Los Angeles, after the Manson murders. It's the first big-screen adaptation of a Thomas Pynchon novel, so Anderson notes he's really "piggybacking" on Pynchon's obsessions. | | Read More» | | |
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