Cable Unbundling, Cloud Expansion, Connected Cars, Audiovisual Creation (Across Two Countries), "Foxcatcher" Cinematography

CREATION MANAGEMENT COMMERCE DISTRIBUTION/DELIVERY CONSUMPTION
TV Programming Digital Media Film Production/Post/Sound Radio Enterprise Live/Public Spaces
October 24, 2014
Connect 2 Media & Entertainment, which launched in 2013, is a resource to help you as a media professional keep up with developments not only in your own business segment but across all industry sectors. Find out what's happening in TV, radio, digital media, film, event spaces, enterprise, and much more by visiting www.c2meworld.com each day. TELEVISION Cracks Appear in Cable TV's Bundle With a one-two punch last week, HBO, the most powerful premium cable network, and CBS, the top-rated broadcaster, delivered a staggering blow to traditional TV with their planned over-the-top offerings. Whether these moves lead to a knockout of pay TV's traditional business model is still open to debate, but one thing is certain: More will follow. And soon. Read More» PRODUCTION/POST/SOUND Preferences and References: Developing the Distinct Visuals for "Dear White People" Inspired by Stanley Kubrick as much as by Spike Lee, "Dear White People" is highly stylized, employing high-frame-rate cinematography and customized lighting setups to define its distinct visual style. Read More» ENTERPRISE It's Time to Move Videoconferencing to the Cloud Migrating away from physical devices to service-based subscriptions or interoperability providers allows users to be more flexible and efficient in how they utilize videoconferencing. Read More» RADIO The Fault Is Not in Our Cars… But in Ourselves This title is the only possible conclusion I can reach about broadcast radio's lack of strategic focus and apparent concern about what is happening with its present and future in "connected cars." Read More» PRODUCTION/POST/SOUND True Invisibility: An Interview with "Birdman" Editors Stephen Mirrione and Douglas Crise Stephen Mirrione and Douglas Crise explain how editing fits into the "Birdman" live-wire equation, from early rehearsals with space (the film is set entirely in and around a theater in New York) to coordinating the workflow between production and visual effects during the 30-day shoot. Read More» LIVE & PUBLIC SPACES Audiovisual Show Simultaneously Creates Artwork in Two Countries Audiences at the Society for Arts and Technology in Montreal, Canada and the Festival Maintenant in Rennes, France simultaneously participated in the creation of audiovisual work "Miscible" in real time. Read More» FILM Filming "Foxcatcher" Like a Documentary "We used a lot of improvisation, and things changed from take to take," explains "Foxcatcher" director Bennett Miller about his collaboration with cinematographer Greig Fraser. "I told Greig from the start, 'It's going to feel like shooting a documentary. You can't assume you'll ever get a second take of a great moment. And that was often the case." Read More» RADIO Level the Playing Field Every station has its own method to manage compliance. There is no cookie cutter plan, and that is part of the challenge. Read More» More Articles & Insights How Data Will Do to TV What the Internet Did to Computing » You Can Cut the Cord, Just Don't Turn Off the TV » Cable Networks Will Save Themselves By Focusing On What They Do Best » Coming to Your TV Set: Stuff You've Seen on the Web » With HBO and CBS Cutting the Cord, Which Networks Will Follow Suit? » Millennials Watch TV (Everywhere But TV) »
Subscribe | Advertise with us | Forward To A Friend

Manage Your Email Preferences/Unsubscribe Change Your Email Address To report abuse, click here. You have received this message because you previously gave your email address to NewBay Media LLC. © 2014 NewBay Media LLC, 28 East 28th Street, 12th Floor, New York, NY 10016 | 212.378.0400