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Soundcraft Works with Metronome; Abbey Road Remasters A Classic New Wave LP


Today's Top Story - 07.24.14
Soundcraft Works with Metronome

Brendan Connors at Studio Metronome in Brookline, NH recently upgraded to Harman's Soundcraft Si Expression 3 console.

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Video: Abbey Road Remasters A Classic New Wave LP
by Clive Young
The vinyl revival isn't just a U.S. phenomenon; pressing plants and mastering facilities around the world are seeing the same bump in business we've had here. Underlining the point, here's a nice video tour of Abbey Road Studios' mastering lab as engineer Geoff Pesche remasters Tears For Fears' debut album, The Hurting, for a 30th anniversary UK re-release.
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Quote of the Week
"Matt's tough. His mic control is horrible, his physical output is mediocre. He does his thing and he sounds amazing, but he requires a lot of support. On a scale of one to 10, for the amount of lead vocalist attention he needs, he's probably a solid eight. Because he sings in a baritone, he doesn't have a lot of physical output—so because that's the reality of what we live it, it plays a major role in the gain structure of the front of house mix. He will limit the overall potential of the volume every show. I route Matt's vocals through a subgroup, there's a 31-band EQ inserted on it, and the ballad-y songs give me an opportunity to go in and make minor corrections."—Brandon Reid, FOH engineer for The National, on singer Matt Berninger's baritone.
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