REGISTER TODAY!
About This Webinar Quality matters. Professional audio engineers know this, and the consumer is finally starting to demand it. The resurgence in analog recording, coupled with the increased power of native DAW systems, has opened up nearly unlimited possibilities for producers/engineers to create unique sounds at extremely high-fidelity. But quality audio still starts with a great artist, great microphone, and great microphone preamp.
In this free hour-long Webcast, produced by Mix magazine and presented by Millennia Media and Royer Labs, Mix technical editor Kevin Becka leads a roundtable discussion with a panel of renowned recording engineers/producers. Supported by graphics, photos and audio examples, the engineers will walk through their audio chain and their particular techniques for recording guitar, instruments and vocals, from setup and mic choices through preamp and conversion into the DAW, or straight to tape.
A live 20-minute question and answer session will follow the presentation.
Topics covered by the webcast will include: • Overview of a Typical Signal Chain
• Mic Choices: Why a Ribbon?
• Mic Placement: Simple Changes Can Make a Huge Difference
• Cables and Connectors: Quality at Every Step
• The Mic Preamp: Transparency vs. Color
• Components and Circuit Design
• Signal Flow
• Optimization
• Remote Control
• 500 Series Units and Power Considerations
• Levels and Monitoring
Join Mix, Millennia and Royer on September 10th at 11 AM PT / 2:00 PM ET for this FREE webinar. REGISTER TODAY! | Featured Speakers
Michael Bishop
Michael Bishop has had the privilege of recording icons of the music industry for over thirty years, engineering and producing releases that helped define the sound of popular, jazz, blues and classical music with a wide diversity of artists. Awards include nine Grammy Awards, Japan's Grand Prix Award, Gramophone Magazine's Record of the Year, Surround Music Awards, and RIAA Platinum Album awards. As a co-founder of Five/Four Productions, Michael records and produces independent audio projects, maintaining the high production standards he successfully carried in his long career engineering recordings for Telarc Records. Michael is a member of AES, NARAS, ASCAP, AQHA, and NRHA. Michael also serves on the N.A.R.A.S. Producer & Engineer Wing Advisory Board.
Tommy Vicari
Since 1969, engineer/producer Tommy Vicari has recorded and mixed nearly every genre of music for distribution in almost every form of media including studio, live, film, television and theme parks. A few of the hundreds of projects Tommy has done include Billy Preston, Prince, Finding Nemo, Man of Steel, the Academy Awards, Behind the Candelabra, the Newsroom and Angels in America. He has mixed live sound for the likes of George Duke, Jeffrey Osborne, Gordon Goodwin, Philip Bailey and Quincy Jones. Tommy has been honored with six Grammy Award nominations with one win and 14 Emmy nominations, with five wins.
Ryan Hewitt
Ryan Hewitt is a Grammy Award winning engineer who has recorded, mixed and produced projects for artists as diverse as the Avett Brothers, The Red Hot Chili Peppers, Harry Connick Jr and blink-182. Over his 20+ year career Ryan has teamed with producers such as Rick Rubin, Matt Serletic and Jerry Finn, as well as with his father, renown remote recording engineer David Hewitt. Ryan is currently based in Venice Beach, California, where he operates his personal mix room, Lock Stock Studio.
|
